Herzog & de Meuron Basel Ltd.
Rheinschanze 6
4056 Basel, Switzerland
Email: info@herzogdemeuron.com
Phone: +41 61 385 5757
New York, New York, USA
Our journey began in the archives—studying early exhibitions, photographs, and Breuer’s drawings, including variations that revealed his process and intent. Sotheby’s vision aligned with those intentions, making it a natural, iterative effort to adapt their program to the building.
Defining elements—bluestone floors, coffered ceilings, sculptural stair, and key lobby finishes—are carefully retained or restored as to preserve the building’s core character.
The Breuer building naturally lends itself to Sotheby’s auctions, with galleries directly supporting the display of art. A new freight elevator at the rear enables fast installation and turnover while public activity continues, leaving the passenger elevators for visitors. Large, flexible gallery spaces can easily transform into sales and auction areas for Sotheby’s events.
The lobby, one of Breuer’s most iconic spaces, features circular lamps, exposed concrete, bluestone floors, and accents of granite, bronze, and mahogany. The intent is to preserve while activating the space for art. Built-in concrete benches become vitrines, and the unused coat check area is transformed into a gallery and salon with a granite counter vitrine. Vitrines with near-invisible frames remain visually immaterial, while concrete tie holes are used to hang art without altering the exposed concrete surfaces. Damaged or discolored lamps were refinished, cleaned, and fitted with modern bulbs to restore consistent lighting throughout the lobby.
Interior changes reinforce Breuer’s original intent. Clear-span floors with minimal columns allow flexible gallery layouts. Non-structural partitions were removed and reintroduced without affecting historic finishes. Layered lighting blends spot and ambient sources with linear fixtures custom fitted to the original Breuer coffered ceilings. Distinctive window openings anchor each floor, reconnecting interior and exterior. Previously closed galleries are reopened and upgraded for broader exhibition use.
The building’s exterior is preserved, with discreet bespoke additions. A new rear freight elevator extends Breuer’s concrete party wall subtly. Canopy lighting brightens previously dark areas, enhancing public arrival. Overall uplighting restores Breuer’s original exterior appearance, as captured in Ezra Stoller’s opening-day photographs. Each intervention was carefully tested through physical mockups.
We shared the Landmarks Commission’s commitment to preserving Breuer’s modernist icon. The review process was a collaborative and aligned effort, guided by a shared respect for the building’s architectural legacy.