Herzog & de Meuron Basel Ltd.
Rheinschanze 6
4056 Basel, Switzerland
Email: info@herzogdemeuron.com
Phone: +41 61 385 5757
Jerez de la Frontera, Spain
The Old Town, with its squares, is surrounded by a ring of bodegas, each defining its own district.
The designated location, which was formerly occupied by numerous buildings, is now a gap site in a dense urban fabric. A small thicket has sprung up on the site.
A garden with a wall and a variety of structures will both restore the coherence of the old Plaza de Belén and preserve the current openness of the square. The flamenco center is laid out as a topography of different elements sunk into or rising from the ground, giving the area an identity of its own.
The perimeter wall of the Ciudad del Flamenco is a special zone with various features—from fountains to benches to courtyards.
The ground floor and lower ground floor show the extent to which the center is formed from the idea of a garden with individual buildings.
A mighty, extruded tower enters into dialog with the historic towers of the cathedral and the Alcázar.
The perimeter wall and the tower have external ornamentation based on traditional patterns seen in Arab cultures.
The final patterns are informed by the culture of the Moors, the Sinti, the Romani, and today’s graffiti artists. The tags developed from these are applied to the entire facade depending on its functional and structural requirements.
The ornamentation becomes a heterogeneous net that envelops the built structures in an all-over pattern.
A topographic model with sunken, raised and extruded built structures.
The abstract yet visually powerful urban landscape with a variety of buildings and openings.
The many and varied spaces and courtyards in the perimeter wall of the Ciudad del Flamenco.
1:1 Styrofoam mock-ups of the facade and its incorporated benches. Adjusting the ornamentation to fit the built structure.
1:1 mock-up of a corner of the facade. The Styrofoam filling the voids is burnt off and struck away once the armature has been constructed and the concrete poured.
The four-meter-tall full-scale mock-up of a corner shows the interplay of ornamentation and space and the archaic character of this delicate pattern.
Gerhard Mack, Herzog & de Meuron: “Herzog & de Meuron 2002-2004. The Complete Works. Volume 5.” Birkhäuser, 2020.
Paul Andersen, David Salomon: “Promiscuous Patterns, Synthetic Architecture.” In: The President and Fellows of Havard College (Eds.). “Harvard Design Magazine.” Vol. No. 31, Cambridge MA, Harvard University Graduate School of Design, 2009. pp. 128-134.
Luis Fernández-Galiano (Ed.): “Arquitectura Viva. Herzog & de Meuron 1978-2007.” 2nd rev. ed. Madrid, Arquitectura Viva, 2007.
Nobuyuki Yoshida (Ed.): “Architecture and Urbanism. Herzog & de Meuron 2002-2006.” Tokyo, A+U Publishing Co., Ltd., 08.2006.
Fernando Márquez Cecilia, Richard Levene (Eds.): “El Croquis. Herzog & de Meuron 2002-2006. Monumento e Intimidad. The Monumental and the Intimate.” Vol. No. 129/130, Madrid, El Croquis, 2006.
Terence Riley: “Ciudad del Flamenco.” In: “On-Site. Arquitectura en España. Hoy.” Exh. Cat. On-Site. “New Architecture in Spain.” The Museum of Modern Art, New York. 12 February – 1 May 2006. 2nd ed. Madrid, PromoMadrid S.A., Desarrollo Internacional de Madrid, 2006. pp. 170-175.
“Ciudad del Flamenco. Jerez. Concurso Internacional. International Competition.” Edited by: Departamento de Comunicación, Gerencia Municipal de Urbanismo, Ayuntamiento de Jerez. 2003. (= Biblioteca GMU/1). pp. 22-29.